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Tan
Tan
 
Hakan Ozaslan
Hakan Ozaslan

Industrial PhD Student
Industrial PhD Student


Tan
Tan
 
Hakan Ozaslan
Hakan Ozaslan
Industrial PhD Student
Industrial PhD Student

Learning Systems
Learning Systems
(+34) 93 580 9570 ext.
tanozaslan@gmail.com
tanozaslan@gmail.com
Research areas:
Impact areas:
SDGs:
2013
Josep Lluis Arcos,  Enric Guaus,  & Tan Hakan Ozaslan (2013). Analyzing musical expressivity with a soft computing approach. Fuzzy Sets and Systems, 214, 65-74. http://www.sciencedirect.com/science/article/pii/S0165011412000528. [BibTeX]
Joan Serrà,  Tan Hakan Ozaslan,  & Josep Lluis Arcos (2013). Note onset deviations as musical piece signatures. PLoS ONE, 8, e69268. http://dx.plos.org/10.1371/journal.pone.0069268. [BibTeX]
2012
Tan Hakan Ozaslan,  Xavier Serra,  & Josep Lluis Arcos (2012). Characterization of Embellishments in Ney Performances of Makam Music in Turkey. 13th International society for Music Information Retrieval Conference (ISMIR 2012) (pp. 13-18). [BibTeX]
Tan Hakan Ozaslan,  Xavier Serra,  & Josep Lluis Arcos (2012). Signal Analysis of Ney Performances. 2nd CompMusic Workshop . [BibTeX]  [PDF]
2011
Tan Hakan Ozaslan,  Enric Guaus,  Eric Palacios,  & Josep Lluis Arcos (2011). Identifying Attack Articulations in Classical Guitar. S. Ystad, M. Aramaki, R. Kronland-Martinet, & K. Jensen (Eds.), Computer Music Modeling and Retrieval. Exploring Music Contents (pp 219-241). Spriger-Verlag. [BibTeX]
2010
Enric Guaus,  Tan Hakan Ozaslan,  Eric Palacios,  & Josep Lluis Arcos (2010). A Left Hand Gesture Caption System for Guitar Based on Capacitive Sensors. International Conference on New Interfaces for Musical Expression (NIME) (pp. 238-243). [BibTeX]
Tan Hakan Ozaslan,  Enric Guaus,  Eric Palacios,  & Josep Lluis Arcos (2010). Attack Based Articulation Analysis of Nylon String Guitar. 7th International Symposium on Computer Music Modeling and Retrieval (CMMR) (pp. 285-297). [BibTeX]
Tan Hakan Ozaslan,  & Josep Lluis Arcos (2010). Legato and Glissando identification in Classical Guitar. 7th Sound and Music Computing Conference (SMC) (pp. 457-463). [BibTeX]  [PDF]